fuckyeahcharacterdevelopment: jasjuliet: whenbirdsattack: cherryblossomsparkle: That explains a LOT ODA PLS Oh my word. This is perfect beyond words. Of course Oda’s would be a catastrophe <3 One Piece, my first manga love. Because our comic-based followers are so under-represented, please enjoy this.
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fuckyeahcharacterdevelopment: jasjuliet: whenbirdsattack: cherryblossomsparkle: That explains a LOT ODA PLS Oh my word. This is perfect beyond words. Of course Oda’s would be a catastrophe <3 One Piece, my first manga love. Because our comic-based followers are so under-represented, please enjoy this.
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fuckyeahcharacterdevelopment:

jasjuliet:

whenbirdsattack:

cherryblossomsparkle:

That explains a LOT

ODA PLS

Oh my word. This is perfect beyond words. Of course Oda’s would be a catastrophe <3 One Piece, my first manga love.

Because our comic-based followers are so under-represented, please enjoy this.

(via carbonidiot)

Source: saiyanisland.com

animeclay: Kotake (コタケ) has an old-school manga style that you don’t come across too often anymore. Their already flat coloring is done with shades that mostly stay around the same value, creating low contrast images with no element coming any more forward than another. This style forces you to churn through the entire picture, spending time with all parts of the relatively detailed line-work. Something about Kotake’s characters gives me a strong sense that they are or once were alive — something about them seems very real. When I look through their art, it feels like I am looking through a picture album full of memories, or perhaps something more intimate. For Kotake’s Pixiv: http://www.pixiv.net/member.php?id=598083 And for their site (with a lot of great rough work): http://kotake96.blog38.fc2.com/
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animeclay: Kotake (コタケ) has an old-school manga style that you don’t come across too often anymore. Their already flat coloring is done with shades that mostly stay around the same value, creating low contrast images with no element coming any more forward than another. This style forces you to churn through the entire picture, spending time with all parts of the relatively detailed line-work. Something about Kotake’s characters gives me a strong sense that they are or once were alive — something about them seems very real. When I look through their art, it feels like I am looking through a picture album full of memories, or perhaps something more intimate. For Kotake’s Pixiv: http://www.pixiv.net/member.php?id=598083 And for their site (with a lot of great rough work): http://kotake96.blog38.fc2.com/
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animeclay: Kotake (コタケ) has an old-school manga style that you don’t come across too often anymore. Their already flat coloring is done with shades that mostly stay around the same value, creating low contrast images with no element coming any more forward than another. This style forces you to churn through the entire picture, spending time with all parts of the relatively detailed line-work. Something about Kotake’s characters gives me a strong sense that they are or once were alive — something about them seems very real. When I look through their art, it feels like I am looking through a picture album full of memories, or perhaps something more intimate. For Kotake’s Pixiv: http://www.pixiv.net/member.php?id=598083 And for their site (with a lot of great rough work): http://kotake96.blog38.fc2.com/
Zoom Info
animeclay: Kotake (コタケ) has an old-school manga style that you don’t come across too often anymore. Their already flat coloring is done with shades that mostly stay around the same value, creating low contrast images with no element coming any more forward than another. This style forces you to churn through the entire picture, spending time with all parts of the relatively detailed line-work. Something about Kotake’s characters gives me a strong sense that they are or once were alive — something about them seems very real. When I look through their art, it feels like I am looking through a picture album full of memories, or perhaps something more intimate. For Kotake’s Pixiv: http://www.pixiv.net/member.php?id=598083 And for their site (with a lot of great rough work): http://kotake96.blog38.fc2.com/
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animeclay: Kotake (コタケ) has an old-school manga style that you don’t come across too often anymore. Their already flat coloring is done with shades that mostly stay around the same value, creating low contrast images with no element coming any more forward than another. This style forces you to churn through the entire picture, spending time with all parts of the relatively detailed line-work. Something about Kotake’s characters gives me a strong sense that they are or once were alive — something about them seems very real. When I look through their art, it feels like I am looking through a picture album full of memories, or perhaps something more intimate. For Kotake’s Pixiv: http://www.pixiv.net/member.php?id=598083 And for their site (with a lot of great rough work): http://kotake96.blog38.fc2.com/
Zoom Info
animeclay: Kotake (コタケ) has an old-school manga style that you don’t come across too often anymore. Their already flat coloring is done with shades that mostly stay around the same value, creating low contrast images with no element coming any more forward than another. This style forces you to churn through the entire picture, spending time with all parts of the relatively detailed line-work. Something about Kotake’s characters gives me a strong sense that they are or once were alive — something about them seems very real. When I look through their art, it feels like I am looking through a picture album full of memories, or perhaps something more intimate. For Kotake’s Pixiv: http://www.pixiv.net/member.php?id=598083 And for their site (with a lot of great rough work): http://kotake96.blog38.fc2.com/
Zoom Info
animeclay: Kotake (コタケ) has an old-school manga style that you don’t come across too often anymore. Their already flat coloring is done with shades that mostly stay around the same value, creating low contrast images with no element coming any more forward than another. This style forces you to churn through the entire picture, spending time with all parts of the relatively detailed line-work. Something about Kotake’s characters gives me a strong sense that they are or once were alive — something about them seems very real. When I look through their art, it feels like I am looking through a picture album full of memories, or perhaps something more intimate. For Kotake’s Pixiv: http://www.pixiv.net/member.php?id=598083 And for their site (with a lot of great rough work): http://kotake96.blog38.fc2.com/
Zoom Info
animeclay: Kotake (コタケ) has an old-school manga style that you don’t come across too often anymore. Their already flat coloring is done with shades that mostly stay around the same value, creating low contrast images with no element coming any more forward than another. This style forces you to churn through the entire picture, spending time with all parts of the relatively detailed line-work. Something about Kotake’s characters gives me a strong sense that they are or once were alive — something about them seems very real. When I look through their art, it feels like I am looking through a picture album full of memories, or perhaps something more intimate. For Kotake’s Pixiv: http://www.pixiv.net/member.php?id=598083 And for their site (with a lot of great rough work): http://kotake96.blog38.fc2.com/
Zoom Info
animeclay: Kotake (コタケ) has an old-school manga style that you don’t come across too often anymore. Their already flat coloring is done with shades that mostly stay around the same value, creating low contrast images with no element coming any more forward than another. This style forces you to churn through the entire picture, spending time with all parts of the relatively detailed line-work. Something about Kotake’s characters gives me a strong sense that they are or once were alive — something about them seems very real. When I look through their art, it feels like I am looking through a picture album full of memories, or perhaps something more intimate. For Kotake’s Pixiv: http://www.pixiv.net/member.php?id=598083 And for their site (with a lot of great rough work): http://kotake96.blog38.fc2.com/
Zoom Info
animeclay: Kotake (コタケ) has an old-school manga style that you don’t come across too often anymore. Their already flat coloring is done with shades that mostly stay around the same value, creating low contrast images with no element coming any more forward than another. This style forces you to churn through the entire picture, spending time with all parts of the relatively detailed line-work. Something about Kotake’s characters gives me a strong sense that they are or once were alive — something about them seems very real. When I look through their art, it feels like I am looking through a picture album full of memories, or perhaps something more intimate. For Kotake’s Pixiv: http://www.pixiv.net/member.php?id=598083 And for their site (with a lot of great rough work): http://kotake96.blog38.fc2.com/
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animeclay:

Kotake (コタケ) has an old-school manga style that you don’t come across too often anymore. Their already flat coloring is done with shades that mostly stay around the same value, creating low contrast images with no element coming any more forward than another. This style forces you to churn through the entire picture, spending time with all parts of the relatively detailed line-work.

Something about Kotake’s characters gives me a strong sense that they are or once were alive — something about them seems very real. When I look through their art, it feels like I am looking through a picture album full of memories, or perhaps something more intimate.

For Kotake’s Pixiv: http://www.pixiv.net/member.php?id=598083

And for their site (with a lot of great rough work): http://kotake96.blog38.fc2.com/

(via octorokcockblock)

Source: animeclay

fehyesvintagemanga: crossing gender boundaries in the 70s with feminist mangaka: Yamato Waki (KILLA), Yamagishi Ryouko (Shiroi Heya no Futari—an early story about about gay young women), Takemiya Keiko (Kaze to Ki no Uta—a story about about love and abusive sexuality between men and boys), Hagio Moto (this is actually a cover from the early 80s of a feminist comic anthology called Grapefruit), Naka Tomoko (Saltor Koushaku no Tanoshimi—the person on the cover is a man, by the way), Aoike Yasuko (from Eroica with Love—this is one of my favorite manga ever—it’s a cold war spy comedy about an obsessive gay art thief and an anal-retentive, homophobic, German NATO officer), Ikeda Riyoko (The Rose of Versailles—lady Oscar, the transvestite head of the royal guard in Marie Antoinette’s court), Miuchi Suzue (from her adaptation of the story of Joan of Arc) From Eroica With Love. So much.
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fehyesvintagemanga: crossing gender boundaries in the 70s with feminist mangaka: Yamato Waki (KILLA), Yamagishi Ryouko (Shiroi Heya no Futari—an early story about about gay young women), Takemiya Keiko (Kaze to Ki no Uta—a story about about love and abusive sexuality between men and boys), Hagio Moto (this is actually a cover from the early 80s of a feminist comic anthology called Grapefruit), Naka Tomoko (Saltor Koushaku no Tanoshimi—the person on the cover is a man, by the way), Aoike Yasuko (from Eroica with Love—this is one of my favorite manga ever—it’s a cold war spy comedy about an obsessive gay art thief and an anal-retentive, homophobic, German NATO officer), Ikeda Riyoko (The Rose of Versailles—lady Oscar, the transvestite head of the royal guard in Marie Antoinette’s court), Miuchi Suzue (from her adaptation of the story of Joan of Arc) From Eroica With Love. So much.
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fehyesvintagemanga: crossing gender boundaries in the 70s with feminist mangaka: Yamato Waki (KILLA), Yamagishi Ryouko (Shiroi Heya no Futari—an early story about about gay young women), Takemiya Keiko (Kaze to Ki no Uta—a story about about love and abusive sexuality between men and boys), Hagio Moto (this is actually a cover from the early 80s of a feminist comic anthology called Grapefruit), Naka Tomoko (Saltor Koushaku no Tanoshimi—the person on the cover is a man, by the way), Aoike Yasuko (from Eroica with Love—this is one of my favorite manga ever—it’s a cold war spy comedy about an obsessive gay art thief and an anal-retentive, homophobic, German NATO officer), Ikeda Riyoko (The Rose of Versailles—lady Oscar, the transvestite head of the royal guard in Marie Antoinette’s court), Miuchi Suzue (from her adaptation of the story of Joan of Arc) From Eroica With Love. So much.
Zoom Info
fehyesvintagemanga: crossing gender boundaries in the 70s with feminist mangaka: Yamato Waki (KILLA), Yamagishi Ryouko (Shiroi Heya no Futari—an early story about about gay young women), Takemiya Keiko (Kaze to Ki no Uta—a story about about love and abusive sexuality between men and boys), Hagio Moto (this is actually a cover from the early 80s of a feminist comic anthology called Grapefruit), Naka Tomoko (Saltor Koushaku no Tanoshimi—the person on the cover is a man, by the way), Aoike Yasuko (from Eroica with Love—this is one of my favorite manga ever—it’s a cold war spy comedy about an obsessive gay art thief and an anal-retentive, homophobic, German NATO officer), Ikeda Riyoko (The Rose of Versailles—lady Oscar, the transvestite head of the royal guard in Marie Antoinette’s court), Miuchi Suzue (from her adaptation of the story of Joan of Arc) From Eroica With Love. So much.
Zoom Info
fehyesvintagemanga: crossing gender boundaries in the 70s with feminist mangaka: Yamato Waki (KILLA), Yamagishi Ryouko (Shiroi Heya no Futari—an early story about about gay young women), Takemiya Keiko (Kaze to Ki no Uta—a story about about love and abusive sexuality between men and boys), Hagio Moto (this is actually a cover from the early 80s of a feminist comic anthology called Grapefruit), Naka Tomoko (Saltor Koushaku no Tanoshimi—the person on the cover is a man, by the way), Aoike Yasuko (from Eroica with Love—this is one of my favorite manga ever—it’s a cold war spy comedy about an obsessive gay art thief and an anal-retentive, homophobic, German NATO officer), Ikeda Riyoko (The Rose of Versailles—lady Oscar, the transvestite head of the royal guard in Marie Antoinette’s court), Miuchi Suzue (from her adaptation of the story of Joan of Arc) From Eroica With Love. So much.
Zoom Info
fehyesvintagemanga: crossing gender boundaries in the 70s with feminist mangaka: Yamato Waki (KILLA), Yamagishi Ryouko (Shiroi Heya no Futari—an early story about about gay young women), Takemiya Keiko (Kaze to Ki no Uta—a story about about love and abusive sexuality between men and boys), Hagio Moto (this is actually a cover from the early 80s of a feminist comic anthology called Grapefruit), Naka Tomoko (Saltor Koushaku no Tanoshimi—the person on the cover is a man, by the way), Aoike Yasuko (from Eroica with Love—this is one of my favorite manga ever—it’s a cold war spy comedy about an obsessive gay art thief and an anal-retentive, homophobic, German NATO officer), Ikeda Riyoko (The Rose of Versailles—lady Oscar, the transvestite head of the royal guard in Marie Antoinette’s court), Miuchi Suzue (from her adaptation of the story of Joan of Arc) From Eroica With Love. So much.
Zoom Info
fehyesvintagemanga: crossing gender boundaries in the 70s with feminist mangaka: Yamato Waki (KILLA), Yamagishi Ryouko (Shiroi Heya no Futari—an early story about about gay young women), Takemiya Keiko (Kaze to Ki no Uta—a story about about love and abusive sexuality between men and boys), Hagio Moto (this is actually a cover from the early 80s of a feminist comic anthology called Grapefruit), Naka Tomoko (Saltor Koushaku no Tanoshimi—the person on the cover is a man, by the way), Aoike Yasuko (from Eroica with Love—this is one of my favorite manga ever—it’s a cold war spy comedy about an obsessive gay art thief and an anal-retentive, homophobic, German NATO officer), Ikeda Riyoko (The Rose of Versailles—lady Oscar, the transvestite head of the royal guard in Marie Antoinette’s court), Miuchi Suzue (from her adaptation of the story of Joan of Arc) From Eroica With Love. So much.
Zoom Info
fehyesvintagemanga: crossing gender boundaries in the 70s with feminist mangaka: Yamato Waki (KILLA), Yamagishi Ryouko (Shiroi Heya no Futari—an early story about about gay young women), Takemiya Keiko (Kaze to Ki no Uta—a story about about love and abusive sexuality between men and boys), Hagio Moto (this is actually a cover from the early 80s of a feminist comic anthology called Grapefruit), Naka Tomoko (Saltor Koushaku no Tanoshimi—the person on the cover is a man, by the way), Aoike Yasuko (from Eroica with Love—this is one of my favorite manga ever—it’s a cold war spy comedy about an obsessive gay art thief and an anal-retentive, homophobic, German NATO officer), Ikeda Riyoko (The Rose of Versailles—lady Oscar, the transvestite head of the royal guard in Marie Antoinette’s court), Miuchi Suzue (from her adaptation of the story of Joan of Arc) From Eroica With Love. So much.
Zoom Info

fehyesvintagemanga:

crossing gender boundaries in the 70s with feminist mangaka:

Yamato Waki (KILLA), Yamagishi Ryouko (Shiroi Heya no Futari—an early story about about gay young women), Takemiya Keiko (Kaze to Ki no Uta—a story about about love and abusive sexuality between men and boys), Hagio Moto (this is actually a cover from the early 80s of a feminist comic anthology called Grapefruit), Naka Tomoko (Saltor Koushaku no Tanoshimi—the person on the cover is a man, by the way), Aoike Yasuko (from Eroica with Love—this is one of my favorite manga ever—it’s a cold war spy comedy about an obsessive gay art thief and an anal-retentive, homophobic, German NATO officer), Ikeda Riyoko (The Rose of Versailles—lady Oscar, the transvestite head of the royal guard in Marie Antoinette’s court), Miuchi Suzue (from her adaptation of the story of Joan of Arc)

From Eroica With Love. So much.

(via kimoida)

Source: fehyesvintagemanga